via Flickr http://flic.kr/p/kun2zV
I drew this in February, it would be a good image for a Christmas card.
via Flickr http://flic.kr/p/kuKRiY
Made on my iPad with the Paper53 app, drawn from life.
This are drawings I made during an evening on which Dienke Boertien gave information about WRAP. WRAP means Wellness Recovery Action Plan and is a wellness tool developed by Mary Ellen Copeland. You can use WRAP for dealing with any kind of mental health problem, medical problems and life issues. I love all the values of WRAP, here is my choice of favorite values of WRAP:
* Insisting that you be treated as an equal, with dignity, compassion, mutual respect, and unconditional high regard; as a unique, special individual, including acceptance of diversity with relation to culture, ethnicity, language, religion, race, gender, age, disability, sexual identity, and “readiness” issues, and treat others the same way.
* Avoiding the use of clinical, medical, and diagnostic language.
* Emphasizing strategies that are simple and safe.
* Understanding that difficult feelings and behaviors are normal responses to traumatic circumstances, and that what is happening in your life need not be considered symptoms or a diagnosis.
* People get well, stay well for long periods of time, and do the things they want to do with their lives.
I drew these sketches from life with my iPad and the Paper53 app.
After four months using Paper by 53, I switched to Sketches by Tayasui. It is rather similar to the Paper app, the biggest difference is the fill-in feature. You can create patterns on the page by drawing a shape to be filled in, as you can see in this drawing of my daughter. She is playing with her iPhone, while I drew her on the ipad.
Last saturday I was together with my daughter at a meetup of Julia Kay’s Portrait Party in Oxford. We drew, ate and socialized from 11 in a community centre. Julia Kay’s Portrait Party is a virtual Portrait Party in which artists draw each other from photos posted on Flickr for that purpose. All members of the group are therefore both subjects of portraits and creators of portraits. Members of JKPP sometimes organise meetups IRL (in real life). Martin Beek, Jane Sherwood and Margarita Perez Garcia organised a third (or fourth?) IRL meetup in Oxford. It was again great to meet the JKPP members I already met in Oxford and Brussels in 2011.
Somebody on Facebook asked me whether I sell my drawings. I haven’t had that question before, and the question resulted in two things. I printed the digital drawings I made on my iPad with the Paper53 app at a photoshop close to my home. I made prints and I was surprised at the high quality result.
I also opened an ‘online’ shop at Society6. Society6 makes my drawings available for sale. They print it, package it, and ship it. So if you want to buy a print of my digital drawings you can go to my Society6 shop. Through this link you will get free shipping till April 14th 2013.
We visited London last Easter weekend. Besides buying books at Judd Books, visiting the marvelous Wellcome Collection and drinking coffee, I drew. Mainly people. If I look at my drawings I see medium shots of people in cafés, at home, on the train or bus. I almost never sit down to draw something. It is the other way around: I find myself sitting somewhere (train, bus, café, a home) and I think: what can I draw from this place.
(These drawings were made on the iPad with the Paper app by Fiftythree)
Since I started to draw I noticed I have a lot of unwritten rules about drawing. For example: drawing from a photograph is not so good, tracing a drawing is unacceptable. I let go of the first rule rather quickly, when I joined Julia Kay’s Portrait Party I started to draw from photographs and I had a lot of fun. The last part of the rule is harder to break.
A few weeks ago I saw a beautiful view from the ferry when I crossed the river to the North of Amsterdam, I photographed it with the intention to draw it. Then I imported the photo in the Brushes app and I traced the photo on another layer. I was rather inhibited tracing the photo, I can’t help feeling ashamed about it. I’m not the only who has these strong emotions about tracing. Illustrator J.E. wrote about tracing: “I was born into a social and family environment with a certain artistic pretentiousness about it, and in this context it was considered quite unacceptable to copy or trace an image. Credit was only given to the ability to create interesting and original images using real life as inspiration as little as possible.”
Well…I traced this image and I’m showing this ‘lesser art’ to you anyway.
I found in the Flickr group Julia Kay’s Portrait Party an interesting discussion about tracing.